Looking at the Moon (Book II in Guests of War Trilogy)

Looking at the Moon (Book II in Guests of War Trilogy)

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  • Recommended for 12 years or older
  • Printed in Canada

by Kit Pearson

It’s 1943, and World War II is still raging on.  Norah and Gavin can hardly wait for August, when they’ll be leaving to spend the summer at Gairloch, the Ogilvies’ cottage in Muskoka.  Norah in particular is looking forward to spending time with the older Ogilvie cousins, swimming, boating … and having as little to do with bossy adults as possible.  The arrival of cousin Andrew is a perfect distraction, especially since, at nineteen, he’s handsome and intelligent, and Norah thinks she may be falling in love!  How will she survive a summer that promises to be anything but ordinary?  Since Andrew is much too old for her and doesn't return her feelings, Norah is plunged into misery. Andrew has his own problems, for he doesn't want to fight. Both of them have to come to grips with some complex moral questions about war.

Recommended by the publisher for young readers 8-12 years.  Recommended by Nest and others for 12 years and up.

Softcover, 248 pages.

Puffin Classics

Printed in Canada.

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Reviews

The second in a trilogy (The Sky Is Falling, 1990)--about two English children sent to live in Canada during WW II--takes Norah (now 13) and little brother Gavin for a summer at the large lakeside establishment of the Drummond family, whose several generations come there also to join Norah's hostess, wealthy old Mrs. Ogilvie. The family's lifestyle (plus Pearson's depiction of it) is leisurely--boating, games, etc. Of the nine cousins in the youngest generation, the one of greatest interest to Norah is Andrew, 19, a would-be actor whose family is pushing him into engineering school or the army (as an officer, of course; class is taken for granted). Norah develops a fervent crush on Andrew, a kind boy who (after he notices) preserves his friendly demeanor with admirable tact; he even confides his horror of killing to Norah alone, so that his later decision to join up comes as a shock to her (cf. Hahn's Stepping on the Cracks, 1991, which probes much deeper into this issue). Pearson writes with restraint--the adults never do find out about the party the kids throw when they spend a night away; unmarried Aunt Mary decides not to wed the nice man she's been meeting secretly all summer--yet the undramatic outcomes are realistic; meanwhile, Norah continues to grow and adapt, and others are lightly but credibly sketched. A period piece, at its best in evoking those strangely peaceful days. (Fiction. 10-14) -- Kirkus Reviews

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