The Lights Go On Again (Book III in Guests of War Trilogy)

The Lights Go On Again (Book III in Guests of War Trilogy)

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  • Recommended for 12 years or older
  • Printed in Canada

by Kit Pearson; Foreward by Shane Peacock.

It’s the Winter of 1945. With the news of the war’s end comes the prospect of Norah and Gavin’s return to England … and that means their lives are about to radically change again.  Fifteen-year-old Norah is eager to see her parents— but ten-year-old Gavin isn’t so sure.  He barely remembers them, and doesn’t want to leave his Canadian family, his two best friends, and his beloved dog Bosley.  But when an unexpected tragedy strikes, Gavin must decide what’s truly important to him—and ultimately make the most difficult decision of his life.

Recommended by the publisher for young readers 8-12 years.  Recommended by Nest and others for 12 years and up.

Softcover, 240 pages.

Puffin Classics

Printed in Canada.

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Reviews

The second in a trilogy (The Sky Is Falling, 1990)--about two English children sent to live in Canada during WW II--takes Norah (now 13) and little brother Gavin for a summer at the large lakeside establishment of the Drummond family, whose several generations come there also to join Norah's hostess, wealthy old Mrs. Ogilvie. The family's lifestyle (plus Pearson's depiction of it) is leisurely--boating, games, etc. Of the nine cousins in the youngest generation, the one of greatest interest to Norah is Andrew, 19, a would-be actor whose family is pushing him into engineering school or the army (as an officer, of course; class is taken for granted). Norah develops a fervent crush on Andrew, a kind boy who (after he notices) preserves his friendly demeanor with admirable tact; he even confides his horror of killing to Norah alone, so that his later decision to join up comes as a shock to her (cf. Hahn's Stepping on the Cracks, 1991, which probes much deeper into this issue). Pearson writes with restraint--the adults never do find out about the party the kids throw when they spend a night away; unmarried Aunt Mary decides not to wed the nice man she's been meeting secretly all summer--yet the undramatic outcomes are realistic; meanwhile, Norah continues to grow and adapt, and others are lightly but credibly sketched. A period piece, at its best in evoking those strangely peaceful days. (Fiction. 10-14) -- Kirkus Reviews

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